Tag Archives: Resogun

Indies Vs. AAA for Game of the Year

With the proximity to the Golden Globe awards recently, I saw a discussion about the award ability of long-form TV shows versus short-form TV shows (don’t worry; this will wrap back to games in a bit).  The argument that was made was that the quality of mini-series and those TV shows branded as “event series;” i.e. shows with 6-13 episode seasons rather that the full 22 episode seasons of regular network programs, is almost always superior.  Short season shows move quicker, have denser plots, and often their scripts have had more time to be polished.  Even the best full 22 episode shows are going to have some “filler” episodes in which little of long term importance happens.  Hence, from a critical perspective, short form shows have a higher average quality and are more awardable.

The reason that this discussion reflects on video games is that I have felt for several years that there should be separate Game of the Year categories for AAA games and so-called “indie” games, by which I mean more the genre of short form digital games than technically “independent” games from a publishing perspective.  After all, titles like Resogun and Child of Light are published by Sony and Ubisoft respectively, but are small games developed by small teams.  But I digress.  I think there is a fundamental difference in challenge between developing a AAA game like Call of Duty or Assassin’s Creed or Final Fantasy, and a small scale game like Child of Light or Resogun or Journey.

Large-scale game development has a certain responsibility to deliver  a certain value.  When a game costs $60 at retail, the consumer expects a certain level of content and polish.  As such most AAA games a certain length, a variety of unique game mechanics and a need to hit a broad enough audience to make their money back.  A smaller game can work on a single excellent game mechanic and simply stop when that mechanic is exhausted, even if its only a few hours of gameplay.  There’s nothing wrong with this, but it’s a very different way of building something from what a large game must do.  When it’s strings hook is worn out, a AAA developer must come up with another to continue the adventure.  There is a reason why the Academy Awards have separate Oscars for Film and Short Film.  The type of experience and story for each is unique and what works for one does not necessarily work for the other.  A game like Journey works on a simple strait forward premise that is short enough to make a distinct impression and then exit before it wears out its welcome.  If Journey were a 30-hour, our even 10-hour game, I don’t think it would work as well.

In a way it may seem I am simply making excuses for AAA developers.  To some extent this is true.  A big game almost always has some part of it that doesn’t work as well and drags things down.  It’s simply harder to maintain quality over a longer stretch of time.  Of course, indie developers have their own sets of difficulties, usually in budget and man-power intensive areas such as graphics and scale.  And of course, games don’t fit as neatly into categories as, say, short films, which for the purpose of the Oscars are defined as film of less than 40 minutes.  Depending on the player, a game may take a range of time to complete.  As such, it would make more sense for the game creators to categorize the game themselves, much how Emmy and Golden Globe submitted TV shows decide whether to run a Drama or Comedy.  With the increasing dichotomy of the game space split between small independent creators and huge, AAA game productions, I think it would benefit both parties to be judged only on their own merits rather than try to compare the scale and detail or AC: Unity’s Paris to something small but beautifully artistic like Child of Light or Transistor.  No matter what though,  with the variety of good games, it’s a good time to be a gamer!

-Doug


It may have been a long winter break, with my life being a bit busy, but the dailydpad is back and the weekly posts are too.  As always, please follow us and send us feedback at thedailydpad@gmail.com and check out Daily D Pad on youtube.  See you next week!

 

Is it Okay to Put DLC on the Main Menu?

The recent release of Destiny kicks off a busy Fall for exciting new releases.  Tons of triple-A games are coming out in the next few weeks and months.  But up till now, there hasn’t been that much to play on PS4 and Xbox One.  As a result, the game I’ve played most on these consoles recently is a small shooter for the PS4 called Resogun.  For those who don’t know, it plays like a simplified twin-stick shooter.  I say “simplified” because part of the premise is that you can only shoot horizontally, left or right, as you move your Galaga-like craft around the stage.  As an aside, the game is excellent though short, technically only having 5 levels.  Being excellent but short, the player might be expected to finish the game wanting more.  This brings me to my topic for today, which has to do with the placement of DLC in Resogun, an issue that started to peeve me with the release of Mario Kart 8, the recent racing game from Nintendo, but has now annoyed me enough to warrant a good venting.

The main menus of Resogun and Mario Kart 8 are actually very similar considering the disparity of genres.  Both contain the following options: Single Player, Local Multi-player, Online Multiplayer, Options, and Shop.  The Shop option takes the player to a place that lets the player purchase and download add-on content.  In the case of Resogun, it directs you to the Playstation Network Store, where you can buy the “Heroes” expansion for Resogun, containing two new modes and a bunch of unlockable trophies.  In Mario Kart 8, it takes you to the Nintendo e-Shop where you can buy 2 packs of additional characters to play as and two sets of Courses to race on.  This is fine with me.  While it is true that both the PS4 and Wii U have buttons on their controllers that let you instantly go to their respective online stores to purchase DLC add-ons without quitting the game, I can understand the desire to put a place in the game were players would see it and think to check the store.  Otherwise, I might not know there was any Resogun DLC at all unless I happened to check the store on my own just on a hunch.  Having a place for DLC seems reasonable.  But both games go a step further, which is where we get into the meat of today’s topic.

One menu deeper from the main menu in Resogun, there is a curious thing.  If I select “Single Player” from the main menu in the game, it gives me another menu with four options: Arcade Mode, Single Level, Survival, and Demolition Mode.  However, the latter two of these options are greyed out, so the player can only choose Arcade and Single Level.  At first, you might think the other two must be unlocked.  After all, the “Master” option on the difficulty select screen is greyed out in the exact same way.  But if you try to select Survival or Demolition Mode, the game give you the message that these modes are part of the “Heroes” DLC for Resogun, which can be purchased for $5.99 from the Playstation Store.  Mario Kart 8 does something very similar.  When go to the character select screen, the bottom row of characters has a colored band on them.  If you try to select any of those characters, the game will inform you that they are part of the upcoming DLC packs and asks if you want to pre-order the DLC for $11.99.  The same situation exists for the last two sets of courses on the Course select screen.

Downloadable Content is by definition an add-on to an existing game.  So, seeing these options, it would be fair to wonder how options exist in the menus for game modes, characters, ext. that didn’t exist when the original game was finished (I can’t confirm for Resogun, but Nintendo expressly stated that they did not begin work on the DLC characters and courses until after the original game had shipped).  Well the answer is that in both cases, mandatory software updates to both games added the menu items after their original release.  As you might be able to tell from my tone thus far, I have an objection to SONY and Nintendo automatically placing these menu item into the games of consumers who have not chosen to buy the content that these menu items are for.

Essentially, this tactic amounts to a dirty marketing strategy.  And in the end, it offends the same sense that many gamers today have when they hear, for example, about Activision developing the DLC content for Call of Duty concurrently with the regular game, but choosing to hold those muti-player maps and bonus items back to be sold piecemeal to the consumer at a premium after we have already purchased the main game.  Gamers feel, perhaps rightfully so (though that is an argument for another day) that they are being tricked into buying an incomplete product and resent paying more to experience everything a game has to offer.  This is a feeling that SONY and Nintendo are using in reverse to drive sales and advertise their DLC in Resogun and Mario Kart 8.  Even though they didn’t actually hold back content, by putting the DLC menus in front of gamers that have’t purchased DLC in this way, they are making us feel that our games are incomplete and temping us to pay to complete them.  Whether that is fair from a logical supply/demand ethics standpoint is debatable, but I can testify that when I select “Single Player” in Resogun and fully half of the Modes that are displayed are inaccessible, I certainly feel like my game is missing something, and I fully feel myself being manipulated by SONY.

SONY and Nintendo are essentially going the extra step to dangle a product in front of you and deny you access unless you pay.  This is the equivalent of the grocery store finding a way to make it so that you don’t need to choose to shop for food to see their products, but instead they come uninvited into your home and put a bunch of delicious looking food on your shelves that you can’t touch unless you pay a premium.  It seems ridiculous, doesn’t it? It’s actually just like the mini-bars in Hotels.  And we all know how reasonably priced those items are, right?  $5.00 seems reasonable for a bottle of water (sarcasm)!  Temptation is powerful, which also raises an ethical question for children, especially considering that both company’s digital stores allow you to store credit card information and then are dangling products in front of children that are just a few clicks from purchase.  Just last year, Consumer rights groups in the European Union got a new set of laws passed restricting just this sort of tactic in downloadable games for phones because too many children were being tricked into spending large sums of money on micro-transactions in games while playing on their (or their parent’s) phones.  Maybe we are not yet at the point of legislation with home consoles, but we seem to be heading in that direction.  I for one have concluded that I would prefer all parts of a product, including its menus, to stay in the store until I choose to go to the store myself purchase it.

-Doug


Sorry for such a lengthy article this week, but this one really got my goat (so to speak).  What do you think about DLC and micro-transactions being forced in front of consumers?  Let us know at thedailydpad@gmail.com or by leaving a comment.  Also, check out Daily D Pad on YouTube!